By John Goto -
John Goto in conversation with Jim Ede (1988)
The last interview given by the founder of Kettle$)A!/s Yard
The Scar (1992)
A photo-roman
Private View (1993)
An unpublished satirical skit
Sworn Enemies (1995)
Travels in the Urals
Who is buried in 'Desk Murder'? (1995)
R.B. Kitaj's painting reconsidered
Landscape gardens, narrative painting and 'High Summer' (2004)
influences on 'High Summer'
La Grande Parade at the Grand Palais, Paris (2004)
Exhibition review of 'The Artist as Clown'
Digital Photography and its Detractors (2005)
Why the rear-guard action by the education and art establishments?
A Work in Progress (2005)
Making $)A!.The Illusionist$)A!/
From Powder Paints to Pixels (2006)
An autobiographical sketch
The Digital Past (2006)
A lecture
PCL Days (2007)
An interview
Floodscapes in Korea (2007)
An interview
Is there Power in Critical Art? (2008)
Some thoughts on Satire
By other writers -
A Brief History of the Ghetto of Terez$)A(*n
by Detlef M$)A(9hlberger
Commissar of Space
by Brandon Taylor (concerning Malevich)
Go Wild in the Country
by Elisabeth Mahoney (review of High Summer)
John Goto: Capital Arcade and High Summer
by Robert Clark
Mixed Messages: Disordering Documentary
by Mark Durden (commentary on Gilt City)
Dancing to the Music of the Till: John Goto's Ukadia
by David Campbell and Mark Durden
Welcome to the circus of nightmares
by Tim Teeman (interview concerning New World Circus)
Brave New World?
by Nick Midgely (review of New World Circus)
Photo Copies -
John Goto, Photographs 1971-81
A commentary by Craigie Horsfield
'Terezin' review by Vilem Flusser
European Photography, April 1989
John Goto; The Atomic Yard
A commentary by Craigie Horsfield